“Bax wisely eschewed extensive rubato in the first movement [Beethoven’s Piano Sonata No 14 “Moonlight”], marked Adagio sostenuto, instead creating a dignified, elegant sustained line. He attacked the thorny third movement, marked Presto agitato, at a breakneck clip, but Bax is a musician with technique up to the task.”

–Theater Jones

Alessio BaxWRB